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Ron Athey




NEA Controversy

In 1994, Athey became the target of controversy over the use of federal funds to support art work with visible gay content. In a performance of an excerpt from Four Scenes in a Harsh Life at the Walker Art Center in Minneapolis, Athey made cuts in co-performerDivinity Fudge's back, placed strips of absorbent paper towel on the cuts and then, using a pulley, hoisted the blood-stained cloths into the air. Local art critic Mary Abbe (who had not witnessed the performance) wrote a sensationalizing story about the performance which appeared on the front page of Minneapolis Star-Tribune. That story was picked up the Associated Press and quickly made national headlines. Widespread anxiety about AIDS created a perfect storm as critics and lawmakers including Jesse Helms falsely described his performances as exposing audience members to HIV-infected blood.[2]

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