A Painting Show at HARRIS LIEBERMAN

Polly Apfelbaum, Kristin Baker Cecily Brown, Ann Craven, Moira Dryer, Nicole Eisenman, Keltie Ferris, Michelle Grabner, Alexandra Grant, Joanne Greenbaum, Heather Guertin, Mary Heilmann, Jacqueline Humphries, Rosy Keyser, Suzanne McClelland, Haley Mellin, Rebecca Morris, Carrie Moyer, Elizabeth Murray, Elizabeth Neel, Donna Nelson, Laura Owens, Joyce Pensato, Analia Saban, Amy Sillman, Dana Schutz, Patricia Treib, Jackie Saccoccio, Kianja Strobert, Nicola Tyson, Lesley Vance, Mary Weatherford, Wendy White, Brenna Youngblood, Molly Zuckerman-Hartung

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Flusser

Check out this website , that is all about Flusser. Click on "current issue" for articles about Flusser and art. Valentina - there is an article in 'current issue' - "The Gesture of Writing", by Flusser. Maybe it will help with your work. Flusser Studies Multilingual Journal for Cultural and Media Theory Flusser Studies is an international e-journal for academic research dedicated to the thought of Vilém Flusser (1920-1991). In addition to publishing articles about Flusser’s work, the journal seeks to promote scholarship on different aspects of specifically interdisciplinary and multilingual approaches Flusser himself developed in the course of his career as a writer and philosopher. These approaches range from Communication Theory to Translation Studies, Cultural Anthropology to the New Media.

Francis Bacon on accidents

This is part of an interview with Francis Bacon by Davis Sylvester, from "Interviews With Francis Bacon" by Davis Sylvester FB I think I tend to destroy the better paintings, or those that have been better to a certain extent. I try and take them further, and they lose all their qualities, and they lose everything. I think I would say that I tend to destroy all the better paintings. DS Can you never get it back once it’s gone over the top? FB Not now, and less and less. As the way I work is totally, now, accidental, and becomes more and more accidental, and doesn’t seem to behave, as it were, unless it is accidental, how can I recreate an accident? It’s almost an impossible thing to do. DS But you might get another accident on the same canvas. FB One might get another accident, bit it would never be quite the same. This is the thing that can probably happen only in oil paint, because it is so subtle that one tone, one piece of paint, that moves one thing into ...

painting as mold or imprint of movement.

What kind of performance is painting? When can an image function as a performance? Jannin Antoni cecily-brown Auerbach

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