Skip to main content

Popular posts from this blog

Francis Bacon on accidents

This is part of an interview with Francis Bacon by Davis Sylvester, from "Interviews With Francis Bacon" by Davis Sylvester FB I think I tend to destroy the better paintings, or those that have been better to a certain extent. I try and take them further, and they lose all their qualities, and they lose everything. I think I would say that I tend to destroy all the better paintings. DS Can you never get it back once it’s gone over the top? FB Not now, and less and less. As the way I work is totally, now, accidental, and becomes more and more accidental, and doesn’t seem to behave, as it were, unless it is accidental, how can I recreate an accident? It’s almost an impossible thing to do. DS But you might get another accident on the same canvas. FB One might get another accident, bit it would never be quite the same. This is the thing that can probably happen only in oil paint, because it is so subtle that one tone, one piece of paint, that moves one thing into ...

Places

Mona Hatoum Mobile Home II, 2006 Furniture, household objects, suitcases, galvanized steel barriers, three electric motors and pulley system Richard Sera Richard Sera Richard Sera Roxy Paine's Conjoined , 2007 installed at Madison Square Park, New York Roxy Raine Bruce Nauman MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage) Julia Scher, Security by Julia II , Artists Space, New York, 1989. Palais de Tokyo, Paris Janet Cardiff Muriel Lake Incident 1999 Janet Cardiff Forty-Part Motet 2001 (British Edition)

Marcel Duchamp, Readymade

"Asked to submit something for display in 1917, Duchamp sent a urinal. ...Duchamp reflected on the history of art and decided to make a statement. The artist is not a great creator - Duchamp went shopping at a plumbing store. The artwork is not a special object - it was mass-produced in a factory. The experience of art is not exciting and ennobling - at best it is puzzling and mostly leaves one with a sense of distaste. But over and above that, Duchamp did not select just any ready-made object to display. In selecting the urinal, his message was clear: Art is something you piss on". From:  A Radical Perspective. Aesthetic Commentary:  Post-modern Art  By Stephen Hicks Here is what Duchamp wrote about this: The Richard Mutt Case:  Anonymous article in  The Blind Man  # 2, May 1917. Written by Beatrice Wood, H.P. Roché and/or  Marcel Duchamp . They say any artist paying six dollars may exhibit. Mr. Richard Mutt sent in a fountain. Without discussion ...